Lupe Fiasco Talks ‘Tony Hawk’s Professional Skater’ & Not Being An OG


Tony Hawk's Pro Skater 3+4 Event
Supply: Randy Shropshire / Getty

Don’t name Lupe Fiasco an OG. At a youthful 43 years outdated, the “Kick Push” rapper continues to be holding busy like a neophyte, on this night time in Los Angeles headlining the announcement of Activision’s Tony Hawk Professional Skater 3+4 (THPS), the genre-defining skateboarding sport coming to your (newest) gaming system of alternative on July 11.

Lupe Fiasco’s affect on skate tradition has been mentioned advert nauseam already, and that’s solely trumped by his affect on Hip-Hop tradition as a complete. It’s a byproduct of getting a number of, not less than, basic albums in your discography, and quite a few eclectic pursuits (martial arts, anime, and so on.) that solely develop his fanbase organically. There’s additionally the uncanny thirst for data that has been channeled into the halls of academia, as he’s been a professor at MIT for a number of years, and this fall will start educating at Johns Hopkins College.

All that to say, Lupe Fiasco, born Wasalu Muhammad Jaco, has encompassed the adage that when you do one thing you like, you’ll by no means work a day in your life. However that’s one other factor. Don’t inform the Chicago native that his profession isn’t work. “It’s like, yeah, I really like rapping. That sh*t is tough,” Lupe instructed Hip-Hop Wired a few hours earlier than his set on the El Rey Theatre for the THPS Competition. “Getting on a flight each week to fly backwards and forwards from the East Coast to the West Coast, and right here and there to show for a number of hours, then fly all the best way again. That sh*t is hard in your physique once you’re 43 now. However I find it irresistible, I wouldn’t give it up for the world. So I imply, I don’t want it to be straightforward, you understand, I simply want it to be proper.”

Proper now, Lupe Fiasco’s enterprise is shifting like a well-oiled skateboard wheel. Sorry.

However in all seriousness, his 1st & fifteenth Leisure label is impartial with main label muscle due to distribution from The Orchard. He’s enlightening the world’s finest minds and he’s nonetheless managing to drop dope music.

Hip-Hop Wired: What does Tony Hawk Professional Skater imply to skate tradition?

Lupe Fiaso: For skate tradition, it’s simple, something that come out that promotes the tradition, like, does it in an genuine method for any tradition, I feel the individuals of the tradition vibe with it heavy. Tony [Hawk] being who he’s, he’s revered on all ranges; from X-Video games to the streets to no matter, proper? And he can skate something. He’s checked out as being one of many OGs, one of many godfathers of all of it. Something that he touches or makes, he’s the stamp of approval to a sure form of diploma. The sport is simply an extension of that. Tony Hawk Professional Skater been round endlessly. It’s been a staple within the gaming aspect of issues, and I feel it represents skating very effectively within the gaming house.

How does this occasion evaluate to, say, considered one of your individual exhibits?

I imply, it is dependent upon what metropolis you in. It’s LA, you’re going to get a mixture of all the pieces right here. The skate neighborhood is tremendous heavy, massive right here anyway, so that you’re going to get a number of illustration from that. I feel when you did it in New York, it’d be the identical vibe, I feel when you did it in Miami, it’d be the identical vibe. Similar to respectful people, however I imply, it’s Hollywood, it’s LA. So you bought to have that power too. It’s the announcement of the [Tony Hawk Pro Skater] so you bought to do it within the Metropolis of Angels, the Metropolis of Large Lights.

Is 1st & fifteenth totally impartial?


No person’s totally impartial. I’ve by no means met an artist that’s totally impartial. However, however we’re not signed to a significant. We obtained main distribution although, we’re with Thirty Tigers, Sony Orchard is doing the distribution. We nonetheless deal with all our manufacturing, we nonetheless deal with all our backend, stuff like that. The music. However we’ve been on this house since 2014. So our final form of business stage challenge with a significant recording firm behinds it was Tetsuo & Youth. We nonetheless obtained a significant publicist, we nonetheless signed to UTA, so we obtained a significant company. We nonetheless on Common Publishing.

That’s why I stated I’ve by no means met a very [independent]…the artist who publishes themselves with their very own publishing admins. Are we signed to a significant file label? No. We’re self-signed, I been that method since 2014. However, you understand, it’s nonetheless a vibe, it’s a brand new problem, we rocking.

Has being indie expanded your creativity?

I’m a mercenary. I got here up within the business, so once I say that I’ve no qualms about doing radio information or membership information or pop information. I make them by myself. I make any sort of file, as a result of that’s my job. It’s humorous ‘trigger Tetsuo & Youth would have tons of radio information on it, proper? However it’s like radio information for a selected sort of backing. It has to have like a selected setup behind it. If the label’s not keen to place that arrange behind you, these information are mainly meaningless ’trigger they’re by no means going to get to radio. They’re by no means going to get into the membership, et cetera, so why make ‘em?

So once I say I’m a mercenary, as soon as we form of went indie—perhaps the primary actual indie file was Drogas Wave. Drogas Gentle was proper after Tetsuo and proper earlier than Drogas Wave. Drogas Gentle was simply to get the previous couple of items of accountability off our again with Atlantic. So Drogas Wave is the primary time that you just see me with no label, and I can simply do what I would like—no label, totally form of free to discover. And it wasn’t like some deep tremendous excessive lyrical backpack mindf*ck, we nonetheless had information on there that had been meant to the touch and communicate to various things. So for me as an artist, I got here up within the business. I could make no matter I have to make. I don’t don’t have any issues with it so long as all people’s sincere about what we’re gonna do with it, then I’m cool.

We love what you’re doing with schooling, you’re beginning at Johns Hopkins within the fall, been at MIT, what are you making an attempt to perform?

I’ve already achieved it. My piece was to take Hip-Hop, take Rap particularly, so excuse me, take Rap particularly, and put it in academia in a significant method. Within the higher echelons of academia.

There was people who finished work, taught rap courses for years previous to me—Mia X was down in Louisiana. Truly, the primary individual that invited me out to a category was Play from Child ‘N Play. He was in North Carolina educating [years] in the past.

So for me, it was similar to, Alright, I’m fittin’ to place it at MIT. I’m going to place it at Harvard. I’m going to place it at Ivy League or Ivy League plus-level courses and strategy it in a sure method. I all the time had that power to overexplain rapping, over-technicalize it, however that’s what it form of must be in these areas, ‘trigger I’m competing with quantum physics and utilized math and all varieties of different Lagrangian specialty metamorphic, steel, blah, blah, blah, proper?

So it suits. It suits completely.

However my semester’s over, so we begin again at MIT within the spring, I begin at Johns Hopkins within the fall. In order that was the mission. That was the purpose. I’ve been at this my third yr at MIT. However I’ve been going there for years, as an artist, resident in several capacities. And there are extra alternatives on the horizon; rising issues at MIT, beginning a Rap membership up there, hopefully opening up a Rap division so long as I’m there, I’ll be there for one more two to a few years. In order that mission’s finished, you understand? It’s simply stabilizing it, after which shifting out the best way for someone else to return in and take it so I can go pursue the following.

Form of construct an infrastructure in order that know nobody can are available in and f*ck it up?

Certainly. Or f*ck it up. So long as the inspiration is there and laid, it’s tougher to f*ck it up. Or perhaps f*cking it up in 5 years is what it wants.

Clearly, you’re nonetheless creating music, so what’s subsequent?

I imply, I do music, stepping again into the style in a sure method with the Nishigawa model. Making jewellery with my brother Rick The Jeweler. Specializing in different artists like Billy Blue, who simply signed to 1st & fifteenth. Rising that secure; once more, constructing issues up so I can step out the best way to do the opposite issues and put extra concentrate on it. Touring, simply chilling, extra of the varsity stuff. My plate is full. I obtained a number of issues I have to do accomplish, and I feel we’ve achieved quite a bit so far, so extra to return.

Subsequent yr is the 20 yr anniversary of Meals & Liquor? Has something stunned you in regards to the album?  

I imply, simply the best way that it nonetheless has an affect. If you form of see artists who got here out now who’re form of within the house I used to be in 10 years in the past…or individuals who had been youngsters when Meals & Liquor got here out, they’re getting interviewed and revealing what are their motivations, and it’s Meals & Liquor, or The Cool, which is correct subsequent to it. It’s nice to see that it nonetheless has affected so many individuals, so many rappers [and] their craft. They’re utilizing it as a blueprint the identical method I used Black On Each Sides, It Was Written, Cheap Doubt, as blueprints for Meals & Liquor.

To see that that custom that an artist, or an individual who doesn’t even know they need to be an artist, an album can seize them in a sure method the place it conjures up them or provides directions to life, however then additionally turns into a template for them to create as soon as they get that artistic “I need to do that, and I’m gonna do it for actual,” that Meals & Liquor is of their cannon. It’s of their form of like workbook. The sh*t’s nice man.

And hopefully it’ll simply proceed the identical method we’re developing on 30 years of Illmatic, Cheap Doubt, already. Hopefully, it’ll reside in that very same house. After which I’m good, that’s my legacy.

Had been you considering of your albums having such an indelible affect when you had been creating them?

Completely, completely. If you’re constructing off classics, you need to make a basic. My stress was to not have a sophomore jinx. My stress was, You gotta do an Illmatic and a [It Was Written], you gotta do a Prepared To Die and A Life After Loss of life. Even with Mos Def, you gotta do a [Mos Def & Talib Kweli Are Blackstar] then observe it up with a Black On Each Sides. So for me, it was all the time having that one-two punch. After that, and perhaps that’s a delusion, or perhaps it’s a regular that must be set in stone, after that I coasted. You get Lasers and me enjoying round f*cking with sh*t. For me, it was that first two.

That’s coasting?! [insert gratuitous “Kick Push” reference here]

For me, it was that first two. I used to be finished. I used to be like I’m gonna do that, I’ma do this, then I simply need to get the f*ck up off this label and go do one thing else. So, I’m glad that I used to be in a position to accomplish. Deliberately, although, that’s your query. Intentional completely. I set out for it to be basic. I wasn’t simply making an attempt to make some no matter sh*t. My no matter sh*t was my mixtape that got here earlier than that. That’s me training and enjoying round. However when it got here to them albums, we gotta have classics off the highest, I’m glad we had been in a position to try this.

You could have managed to age effectively in Hip-Hop however a number of artists don’t. They could attempt to act like teenagers or chase what that they had. How have you ever develop into an OG, not within the outdated man sense, however as rapper comfy in his wave?

I’m not an OG. I don’t, I don’t actually suppose that’s a foul factor for folks to attempt to recapture their greatness. Why is {that a} unhealthy factor? In rap, that’s n*gga sh*t, to maintain it a buck. Like different industries, different teams, different cultures, like reclaiming your previous or making an attempt to realize what you probably did once you was youthful is the entire purpose. You construct one firm once you was 20, construct one other one once you 60.

Proper? That’s like Warrant Buffet, who simply retired, we gonna get down on him for not making an attempt to be like what he did 10 years, or 20 years. You attending to the bag and doing what you’ll want to do, then do what you’ll want to do.

I don’t suppose that’s a giant deal, particularly when the reverse is occurring. You bought younger youngsters making an attempt to be older. They’re making an attempt to seize issues that they need to be wanting ahead to once they’re older. However we wish that. We would like you to be occupied with once you’re 20, once you’re 25, once you’re 30, once you’re 40. What occurs when you find yourself 40? Would you like me to consider being 60? Or do you need to take into consideration “I would like that very same sort of power. I need to have that very same sort of drive that I had once I was 20. I need to be working and cooking off of the identical stage that I used to be.” So I don’t see nothing flawed with that, to every their very own.

However, I’m not an OG. Perhaps I’ll be an OG at some point, however that’s not for me to determine. That’s for me to have proof that I obtained a bunch of YGs who’re beneath me that may observe my lead.

That form of goes full circle again to your “blueprint” albums, setting that commonplace for all the pieces ahead.

I’ll offer you an instance, full circle, which is loopy. They simply had them boxing matches in New York, proper? That they had Rolly Romero versus Ryan Garcia. So Ryan Garcia walked out to “Celebrity.” Rolly Romero walked out to “Marty McFly,” which was a mixtape file that I did. So you bought these two fighters combating one another within the primes of their profession in one of many greatest, most hyped boxing matches on this planet, and so they each popping out the Lupe information from utterly totally different eras.

So I’m good.

"Tony Hawk's Pro Skater 3 + 4" Launch Event
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