A photograph of Juvenile and the Ghetto Twiinz sparks nostalgia, laughs, and backlash throughout Fb.
It began as a easy Fb publish. Musician and content material creator Mike Browardd shared a photograph of Juvenile posing with two girls in matching sequined outfits, including a caption that immediately caught fireplace:
“Former hit maker & ‘Again That Thang Up’ rapper, #Juvenile, posts up with two chicks who appear like they died again within the 9-9 and the 2000 💀.”
Inside hours, the publish unfold by way of Fb teams, hip-hop meme pages, and nostalgia feeds. The mix of humor, ageism, and a traditional Juvenile reference turned it into instantaneous meme gasoline.
The issue? These “two chicks” aren’t nameless partygoers. They’re the Ghetto Twiinz — Tonya and Tremethia Jupiter, New Orleans rap legends who helped construct the identical Southern hip-hop scene that Juvenile and Money Cash Information later dominated.
The Photograph Itself: A Informal Reunion Turned Roast
The photograph, believed to have been taken at an informal gathering or native occasion, exhibits Juvenile—now 50—flanked by the Ghetto Twiinz. He’s rocking a grey camo hoodie, gold chain, and darkish shades, giving off his trademark cool demeanor. The twins, wearing silver sequined crop jackets and matching pants, pose confidently beside him.
Lighting suggests an indoor lounge or backstage setting. It’s not glamorized or filtered — only a uncooked second between three artists from the identical metropolis and period.
However on-line, the picture grew to become one thing else fully. Feedback poured in, joking that the ladies regarded “frozen in time for the reason that ‘99 and the 2000,” referencing Juvenile’s iconic 1999 hit “Again That Azz Up.”
Whereas some laughed it off as playful nostalgia, others referred to as out the tone as disrespectful, arguing that mocking the Ghetto Twiinz’s look disrespected their contributions to New Orleans rap.
The Punchline That Grew to become the Downside
In meme tradition, the phrase “again within the 9-9 and the 2000” has grow to be shorthand for the early 2000s hip-hop glory days — a time of low-rise denims, Money Cash dominance, and Southern bounce taking up mainstream radio.
The caption’s humor relied on that nostalgia. However the punchline — “appear like they died again within the 9-9 and the 2000” — crossed from intelligent into merciless. It mocked growing older girls in hip-hop whereas sparing Juvenile, exposing the double commonplace that also shapes reactions to female and male artists from that period.
Customers cut up into camps: some insisting “it’s only a joke,” others defending the Ghetto Twiinz for surviving many years in an unforgiving business.
One commenter summed it up finest:
“Y’all clowning legends who helped make the 9-9 and 2000 imply one thing within the first place.”
Who the Ghetto Twiinz Actually Are — Legends, Not Punchlines
For youthful followers unfamiliar with their legacy, the Ghetto Twiinz aren’t random faces from an outdated photograph. They’re pioneers of New Orleans rap, twin sisters Tonya and Tremethia Jupiter, who emerged within the early ‘90s with a uncooked streetwise sound that rivaled something coming from No Restrict or Money Cash.
Signed first to Huge Boy Information, they launched their debut album Surrounded By Criminals in 1996. By 1997, they’d joined Rap-A-Lot Information, dropping In That Water, No Ache No Achieve, and Received It on My Thoughts — all of which charted on Billboard and earned important respect for his or her unfiltered storytelling.
Their music blended bounce, R&B harmonies, and gritty realism, addressing violence, love, and survival from a lady’s perspective. They have been a part of the identical motion that birthed Mia X, Mystikal, Soulja Slim, and sure, Juvenile himself.
To this present day, their catalog stands as an archive of genuine Southern womanhood in hip-hop, one thing that’s typically overshadowed by the male-dominated narratives of that period.
From New Orleans Levels to Meme Pages: When Legacy Meets the Web
The viral backlash highlights a rising rigidity in hip-hop’s on-line areas — the place legends grow to be memes sooner than they’re honored.
The Ghetto Twiinz, now of their early 50s, nonetheless carry out often and stay lively in New Orleans’ cultural scene. However seeing them mocked alongside Juvenile, a fellow icon, underscores how social media can flatten context.
As one Fb person put it:
“Again within the day, these girls have been the sound of the streets. Now of us laughing at them like they ain’t a part of the identical legacy.”
The controversy across the meme isn’t nearly one photograph — it’s about how hip-hop treats its veterans, particularly girls, as they age.
Followers Clap Again: “Respect Your Elders — They Survived What You Glorify”
Defensive feedback started flooding in as followers and friends acknowledged the ladies within the image. Many reminded youthful customers that these weren’t washed-up groupies — they have been artists who helped outline New Orleans hip-hop earlier than Money Cash blew up nationally.
Screenshots from reposts present defenders writing:
“Put some respect on the Ghetto Twiinz identify.”
“They appear like grown girls who been by way of actual life, not filters.”
“Y’all joke an excessive amount of — they the rationale half y’all metropolis obtained a sound.”
What began as a joke become an on-line debate about growing older, respect, and cultural reminiscence. In an area the place clout strikes sooner than information, the Ghetto Twiinz abruptly discovered their legacy trending — for all of the fallacious causes.
Juvenile’s Position: Chill As Ever Amid the Noise
For Juvenile, the web storm barely registers. The New Orleans legend, who just lately carried out “Again That Azz Up” with a dwell orchestra for NPR’s Tiny Desk Live performance, has lengthy embraced his legacy with humor and self-awareness.
He hasn’t publicly commented on the viral photograph or the “Bruh” publish. However the shot captures him precisely as followers bear in mind — unbothered, dripped out, surrounded by the identical power that made his 1999 hit timeless.
And in a approach, that is perhaps the true takeaway: whereas social media cycles by way of jokes, Juvenile and the Ghetto Twiinz stay fixtures of the identical period they helped outline.
Conclusion: The 9-9 and the 2000 By no means Actually Died
What started as a meme mocking appearances grew to become a dialog about how hip-hop treats its icons, particularly girls who age in public view.
The Ghetto Twiinz might need been the butt of a merciless joke this week, however the response proved their identify nonetheless means one thing. Many years after Again That Azz Up made historical past, the folks behind that period nonetheless command consideration — whether or not by way of nostalgia, laughter, or viral debate.
In the long run, the web can roast, remix, and recycle — however the 9-9 and the 2000 by no means actually died. They only moved to Fb.
